(Chengdu Teahouse Project)
Between 8 & 9
(Chengdu Teahouse Project)
A Chamber Made Opera work in partnership with Sichuan Conservatory of Music
Co-presented by Castlemaine State Festival and Melbourne Recital Centre for Asia TOPA
Chamber Made Opera presents the world premiere of Between 8 and 9 (Chengdu Teahouse Project) 八和九之間 (成都茶館項目) – a 70 minute sound installation created by Australian and Chinese artists featuring traditional instrumentation, new composition, electronics, sculptural design and vocal performance.
Intertwining ancient Chinese musical theory with ancient European spatial thinking, Between 8 and 9 is between Chengdu and Melbourne; between audience and artists; between a meeting room and a restaurant; and between music, sonic design, live art and performance.
As the audience you are seated at one of eight round tables with ‘Lazy Susans’ (餐桌轉盤 – cānzhuō zhuànpán). A voice calls from across the room. The table in front of you hums. A searing sound fills the room. A murmur of syllables flickers across the space. You turn to the sound. The sound turns to you. A sculptural musical score forms and re-forms at eight round tables, right before your ears and eyes. You are invited into a situation of choice, an oscillation, a rotation. What is the state of between 8 and 9?
The creation of Between 8 and 9 has evolved from a thematic exploration of teahouse culture into a reflexive meditation on the meeting of cultures, generations, languages and artistic practices.
Background to the Chengdu Teahouse Project:
In July 2015, sound artists Madeleine Flynn and Tim Humphrey, vocalist Carolyn Connors, master Sheng player Wang Zheng-Ting and performance director Felix Ching Ching Ho joined Chamber Made Opera’s Creative Director, Tim Stitz, and Artistic Associate Christie Stott on a residency at the Sichuan Conservatory of Music. There, they joined forces with four local Chinese artists – all current students or recent graduates from the Conservatory – towards developing a collaborative method of composing a new work. After two weeks of intensive artistic sharing and musical exploration, the residency concluded with an impromptu performance in a teahouse on Chengdu’s Narrow Alley as well as an open workshop/rehearsal in the beautiful bamboo-rich Wangjianglou Park.
In 2016 the team continued its collaboration with the Sichuan Conservatory further developing the work via intensive workshop periods with Australian artists and a short rehearsal and development period in Chengdu. The specifics of the work began to take shape and Between 8 and 9 is the piece that has emerged from this extensive research and development.
Artists from Between 8 & 9 were invited to perform at the Sichuan Victoria Sister State Banquet in Chengdu in September 2016. Creative Director Tim Stitz attended this dinner along with four of the performers.
Between 8 and 9 is the result created from a multi-year international and intergenerational dialogue where multiple languages and idioms have been spoken, shared, played, crafted and performed. We are thrilled to host our Chinese collaborators in Melbourne and Castlemaine for the premiere seasons as part of the inaugural Asia TOPA.
2017: World Premiere, Asia TOPA Festival, Castlemaine State Festival & Melbourne Recital Centre (March/April)
2016: Creative Development, Chengdu China (September)
2016: Creative Development, Melbourne (July)
2015: Creative Development, Chengdu China (July)
Between 8 and 9 is the recipient of the Castlemaine State Festival George Fairfax New Theatre Award, supported by the Besen Family Foundation.
This project has been made possible with support from the Australian Government through the Australia Council for the Arts, its arts funding and advisory body, the Ministry for the Arts’ Catalyst—Australian Arts and Culture Fund, the Australia China-Council of the Department of Foreign Affairs and Trade, and the Department of Foreign Affairs and Trade’s Cultural Diplomacy Grants Program. The project is supported by the Victorian Government through Creative Victoria. The creative development of this project was supported by a Playking Foundation Travel Grant and Darebin Arts, City of Darebin.
Asia TOPA is a joint initiative of the Sidney Myer Fund and Arts Centre Melbourne and is supported by the Australian and Victorian Governments.
This work is created by all artists involved in a collaborative process led byMadeleine Flynn and Tim Humphrey
Collaborating performing artistsCarolyn Connors (vocalist/accordion/winds), Madeleine Flynn (pedal organ/toy piano/vintage electronics), Guo Si-Cen (erhu), Tim Humphrey (brass/electronics), Kang Yan-Long (vocalist), Wang Shuai (percussion), Wang Zheng-Ting (sheng/winds) and Zhu Hui-Qian (vocalist)
Collaborating artistsJim Atkins (acoustic facilitation), Felix Ching Ching Ho (dramaturgy), Ben ‘Bosco’ Shaw (lighting) and Anna Tregloan (installation and costume)
Production collaborators:Kellie Jayne Chambers (production & stage management), Minglu Chen (production assistance & translation), Emilie Collyer (text consultation), Professor Gan Shao-Cheng (Chengdu project liaison), Dr Wang Zheng-Ting (Melbourne project liaison), Tim Stitz (creative producer) and Adrian Tien (academic consolation)